[9] Mahlathini and the Mahotella Queens returned to the more traditional sound of their earlier albums; they also continued to shy away from political lyrics.

[12] The Chicago Tribune noted Mankwane's influence, deeming the album "a leaner, rootsier record ... that is also more akin to current popular African guitar band styles.

"[8] The Boston Globe praised the "less punched up, club-ready mix [that is] closer to a lighter, dustier, urban folk sound.

"[19] The Globe and Mail determined that "the music remains unalloyed and uncorrupted, a joyous and irresistible sound that can light up a room in seconds.

"[9] The Houston Chronicle considered the album "a good representation of Mahlathini and the Mahotella Queens' distinctive vocal blend of growling male leads ... and female harmonies.