Shahzadeh Mihir Munir Khanum" (Persian: شاهزاده مهرمنیر خانم) in the Qajar dynasty's genealogy and was registered as Mehr Monir Jahanbani in official documents.

[5] From a young age, Jahanbani was deeply influenced by the cultural and artistic heritage of her Russian grandmother, which sparked her passion for the art of embroidery and needlework.

[2] This discovery led her to undertake numerous trips to Baluchistan, where she sought to deepen her understanding of the people, culture, and art of the Baluch.

The exhibition featured Balochi needlework, Kalporegan pottery, Qasr-e Qand basketry, and other Baluch handicrafts, aimed at raising awareness among elites, particularly to encourage them to support this rich and untapped region.

Her innovative designs garnered widespread attention, including from HM Farah Pahlavi, the Shahbanu of Iran, who incorporated them into her wardrobe.

This collaboration not only brought international recognition to Baluch handicrafts but also provided economic opportunities for many local women, allowing them to showcase their skills.