[1][2][3] In a review for All About Jazz, Hrayr Attarian stated that the album is "a vibrant and apt memorial to a truly inspirational man that is both timely and timeless.

This intriguing and singular disc promotes social consciousness without sacrificing musical innovation and is sublimely complex while remaining accessible.

"[4] David Whiteis of JazzTimes called the album a "fusion of postbop melodic and rhythmic thrust, jubilant swing, freedom-bound improvisation and militancy leavened by compassion and spiked with acerbic wit," and commented: "Once again, Ernest Dawkins has given us a work that exemplifies the inseparability of struggle and celebration, both in music and in life.

"[6] Point of Departure's Jason Bivins described the album as a "truly fine recording," and remarked: "The lines, the rhythmic shapes, the idiomatic blend, all partake of Dawkins' vision, realized here by a wide range of sympathetic musicians...

"[7] In a review of the work's premiere, Howard Reich of the Chicago Tribune called the piece "musically gripping" and noted that it "held some of Dawkins' most ingenious writing" with orchestral passages that "startled the ear.