She has worked on various multimedia art pieces that incorporate lines, shapes, and colors to showcase modern abstraction.
Following her attendance there, González continued her studies at the School of the Museum of Fine Arts in Boston, Massachusetts until 1980.
[2] In her series, September 1955, González portrays art that was inspired by a Venezuelan magazine called Integral.
The name itself is derived from the specific month and year that Integral showcased modern abstraction as a new form of art.
González uses her drawing as means to explore the hopefulness that modern abstraction brought to youth during the 1950s, along with the political obstacles that have slowly ruined the countries well-being.