[5] In his album review for Consequence of Sound, Collin Brennan, however, was less favourable, criticising that the song's "supposedly trenchant political commentary [is] negated by its almost palpable yearning to be played on commercial rock radio".

Likening it to the music from the band's fourth album Black Holes And Revelations, he called the song a "close cousin to 'Starlight'[...], albeit with a rejuvenated energy and very forward-looking approach".

Shots of the band performing on a large indoor stage with bright, dynamic lighting are spliced throughout between the story scenes.

We see her in the same room and on the same bed as before, but without the electronic devices, leaning away from an unknown man with a somewhat frightened expression as he lifts her chin to look at him and then begins undressing himself.

She goes up to the rooftop to draw in the sand again, only this time bumps into an exact duplicate of herself accompanied by two different men, as both women take a moment to stare at each other in shock.

We see her weave through numerous people trying to catch her, the source of some of the shots spread through the rest of the video, before she locks herself in a small room, containing a "final reset" button which she presses.