[4] They were designed to introduce families and younger audiences to orchestral music, following in the tradition of The Carnival of the Animals by Saint-Saëns and Prokofiev's Peter and the Wolf.
[6][7] It has involved contributions from renowned composers in the video game industry, including Nobuo Uematsu, Yoko Shimomura, Chris Hülsbeck, and Yuzo Koshiro.
With Goyakai's defeat, Nuobi is freed from his icy prison, and the world of Merregnon is restored, bringing back warmth, laughter, and joy.
Writer Ulrike Dansauer, who attended the premiere, highlighted the project's broad appeal, noting, "The story is very popular with young audiences: devout listening from even the youngest children, closed eyes from adults, completely absorbed in the tale.
[1] In the grey world of Merregnon, the orphan Miru and her dog Mako encounter a wounded bird, Ikari, who guides them on an adventure to the north.
In it, he emphasises the importance of a family concert that "entertains and promotes immersion", because according to him, "it awakens an enthusiasm that leads to spontaneous engagement with the subject, without any finger-wagging or other overtly educational components.
Forsberg points out that music by game composers is "a part of the daily lives of so many people around the world", and the author notes that Merregnon: Land of Silence could provide "a welcome hand for struggling concert halls.
"[5] In a webinar hosted by the German Embassy in Tokyo, Shimomura, Böcker, and Angel talked about the process leading up to the concert Merregnon: Land of Silence.
[25] Volume 1 and 2's principal composer, Fabian Del Priore, who developed many of the musical themes, confirmed that it gave him "a lot of experience in orchestration, notation and score writing.
The first CD was commended for its appeal in that it "impressively shows how pompous melodies and complex themes are able to attract especially young people", according to the German magazine Amiga Plus.
"[27] The second CD received much acclaim as well, with the gaming website DemoNews writing that it was "simply breath-taking", magazine Nautilus admiring its professionalism and going on to say that "fans of the music from big silver screen epics will find a new treasure in Merregnon 2."