He previously worked with McKinsey & Company, J.P. Morgan, and at Herzog & de Meuron architects.
"[3] Hansmeyer explains this approach in his 2011 TED talk "Building Unimaginable Shapes".
Installations of columns were commissioned for the Gwangju Design Biennale 2011 and Grand Palais in Paris 2018.
[6][7] "Digital Grotesque (2013, ongoing)" Exploring the dialectic between chaos and order, between the natural and the artificial, these full-scale, algorithmically generated grottos are fabricated out of 3D-printed sandstone.
[9] An 18 meter wide, large-scale grotto was constructed for Romeo Castellucci’s rendition of the Magic Flute opera.