Millefleur

The style had a notable revival by Morris & Co. in 19th century England, being used on original tapestry designs, as well as illustrations from his Kelmscott Press publications.

The famous Apocalypse Tapestry series (Paris, 1377–82) has several backgrounds covered in vegetal motifs, but these are springing from tendrils in the way of illuminated manuscript borders.

In fact most of the very large sets do not fully use the style, with the meadow of flowers extending right to the top of the picture space.

The company's Pomona (1885) and The Achievement of the Grail (1895–96) tapestries demonstrate an adherence to the medieval millefleur style.

Other tapestries such as their The Adoration of the Magi (1890) and The Failure of Sir Gawain (c. 1890s) use the style more liberally, borrowing the flowers' often flat, splayed appearance, but overlapping them and using them as part of a landscape and not as a purely decorative backdrop.

They reflect a combination of European influences and underlying Persian-Mughal decorative tradition, and a trend for smaller elements in designs.

The millefleur style is sometimes used liberally in Sir Edward Burne-Jones' illustrations for the Kelmscott Press publications, such in as his frontispiece to The Wood Beyond the World (1894).

Millefleur are used in artist Leon Coward's mural The Happy Garden of Life which appeared in the 2016 sci-fi movie 2BR02B: To Be or Naught to Be.