Millennium Film Workshop

Guttenplan broadened the workshop's field by inviting foreign filmmakers from Britain, Germany, France, Hungary, Poland, Japan, and other regions to make their American debuts at Millennium.

[1] Artists who were given the opportunity to mount their first one-person shows at Millennium include Hollis Frampton, Clayton Patterson, Jennifer Reeves, Donna Cameron, Bill Morrison, Fred Worden, M.M.

Jon Jost, Kenneth Anger, Carolee Schneeman, Valie Export, Paul Sharits, Michael Snow, Malcolm Le Grice, Yvonne Rainer, Bruce Conner, Coleen Fitzgibbon, Robert Breer, Birgit Hein, Ernie Gehr, Abigail Child, Amy Greenfield, James Benning, Rudy Burckhardt, and others have premiered their newest work at the Millennium, and the organization worked closely with the late Jack Smith.

In addition, Millennium has provided space for experimental theater works, including Charles Ludlam, Allen Ginsberg, Stuart Sherman, Tony Conrad, Jackson MacLow, and others.

Past and present instructors include Alan Berliner, Su Friedrich, Barbara Hammer, Paul Sharits, Jud Yalkut, Ross McLaren, Jennifer Reeves, Kelly Spivey, Noël Carroll, Nisi Jacobs, Rachel Shuman, and Jon Jost.

The organization is one of the only remaining establishments in New York City that provides classes, facilities, and equipment rental for optical printing and Super 8 mm film.

The Journal has traced the evolving practices of artists' moving image from analog film to video, digital, and even VR, serving as a primary source document for an ever-changing field.

Notable authors from the Journal's history include Paul Arthur, Mike Hoolbloom, J. Hoberman, Fred Camper, Joan Copjec, David James, A. L. Rees, Mary Ann Doane, Birgit Hein, Chris Hill, Vivian Sobchack, Scott MacDonald, Amy Taubin, Noël Carroll, P. Adams Sitney, Barbara Hammer, Giuliana Bruno, Peter Wollen, and Hollis Frampton.