[3] "Sommaräng" was released as the album's lead single on 17 May 2006, backed by an exclusive b-side, a cover of Rogefeldt's "Små lätta moln" ("Small Light Clouds").

Aftonbladet called it "a rather unassuming comeback", and said that Fredriksson "still has one of the country's strongest, most distinctive voices, which becomes even better when she's singing material which genuinely means something to her."

[8] A writer for Expressen argued that the acoustic tracks on the album were superior to the more produced ones, explaining: "When there is enough space for all of her emotions to spit out, Marie comes across like a country goddess, and a master of Swedish blues.

"[10] Helsingborgs Dagblad praised Fredriksson for compiling a "courageous" record, saying: "Putting together an album of rock classics from '70s favourites such as Pugh Rogerfeldt, John Holm, Cornelis Vreeswijk, Hoola Bandoola Band, Tom Paxton and Tim Hardin is probably a thought that scares the shit out of the majority of established artists with any sense of self-esteem.

They also complimented the quality of Fredriksson's vocals and the amount of improvisation found on the album, particularly Ola Gustafsson's guitar work on "Sommaräng" and Mats Ronander's harmonica playing on "Guldgruva".