[2] Fact magazine critic Marcus Scott stated that each track on the record "consists of rolling riffs that stammer and bounce across the metronomic rhythm, breaking the momentum with tiny synapse snapping manipulations.

[4] According to Wondering Sound critic Philip Sherburne, the album "rendered the familiar thump and squelch of Detroit techno even stranger, subtracting all remaining traces of disco and R&B and imagining rhythm as a kind of chattering conversation between sentient machines."

Techno was becoming one huge sample and the raves were becoming all about drugs... Minimalism is not going to stop, because it’s a direct reflection of the way the world is going.

"[5]In an introspective review, Marcus Scott of Fact magazine praised the album, described it "as direct as psychedelic music gets".

Scott also wrote that the record "sounds like punk compared to what minimal means in 2009: a vision of hedonistic, wasted bohemian youth listening to gentle, anodyne prog-rock length tracks.