Ministry attained commercial success during the late 1980s and early 1990s with three of their studio albums: The Land of Rape and Honey (1988), The Mind Is a Terrible Thing to Taste (1989) and Psalm 69 (1992).
[4] Following Jourgensen's recovery, Ministry resurfaced in 2003 with Animositisomina, which turned out to be their last album with Paul Barker, who would leave the band the same year after nearly two decades as an official member.
He was introduced to the local underground scene by his then-girlfriend, and in 1979 he replaced Tom Hoffmann on guitars in Special Affect, a post-punk group which featured vocalist Frank Nardiello (Groovie Mann of My Life with the Thrill Kill Kult), drummer Harry Rushakoff (Concrete Blonde) and bassist Marty Sorenson.
[26][24] Nash purchased recording sessions at Hedden West studios which resulted in a twelve-inch single featuring "I'm Falling" and instrumental track "Primental" on the A-side, with the song "Cold Life" on the B-side.
[18][34][35] Signing a six-figure, two-album deal, the band—with Jourgensen and George comprising the official line-up[36][37][38]—moved to record at the Syncro Sound studios in Boston, with producers Vince Ely (former drummer of Psychedelic Furs) and Ian Taylor (former assistant of Roy Thomas Baker), as well as keyboardists Roberts and Davis as session musicians.
Eventually, Jourgensen sent a demo tape featuring a cover version of Roxy Music's song "Same Old Scene" before parting ways with Arista, suing the latter for violating contractual obligations.
[51] In his 2013 autobiography, Jourgensen gave a different explanation, saying that he was pressured by Arista management into producing his existing songs in the then-popular synthpop style, as a means of making them more commercially palatable.
"[63] George left Ministry soon after this tour, disagreeing with Jourgensen over increased use of drum machines,[64][38] and went on to form the short-lived band Colortone,[64] and, much later, to pursue a record engineering career.
[71][72] Despite the contribution of several others (namely Belgian singer Luc van Acker and Sherwood's Tackhead bandmate Keith LeBlanc), the album material was mainly performed by Jourgensen, listed as the band's sole member.
The Land of Rape and Honey made use of synthesizers, keyboards, tape loops, jackhammering drum machines, dialogue excerpted from movies, unconventional electronic processing, and, in parts, heavy distorted electric guitar and bass.
19 in the Modern Rock Tracks chart with approximately 128,000 copies as of mid-July 1992; considered Ministry's first and biggest commercial hit, it built significant anticipation for their upcoming album, then titled The Tapes of Wrath.
The follow-up LP, Houses of the Molé (2004), contained the most explicitly political lyrics Jourgensen had yet written, with songs played more crudely than on previous recordings, giving the album the most metal-oriented sound of their career.
With Prong's Tommy Victor and Killing Joke's Paul Raven, the album featured an even heavier thrash metal sound drawing comparison to Slayer.
Paul Raven died on October 20, 2007, a month and two-days after the release of The Last Sucker, suffering an apparent heart attack shortly after arriving in Europe to commence recording for the French industrial band Treponem Pal near the Swiss border.
Ministry's "farewell" tour, the "C-U-LaTour", started its North American leg on March 26, 2008 with Meshuggah performing as special guests and Hemlock as an opening act.
[121] The reunion lineup featured Al Jourgensen on vocals, Mike Scaccia and Tommy Victor on guitars, Aaron Rossi on drums, John Bechdel on keyboards, and Tony Campos on bass.
[134] The album, released on March 9, 2018,[135] includes guest appearances from Burton C. Bell of Fear Factory, former N.W.A member Arabian Prince, DJ Swamp and Lord of the Cello.
[134][136] During their performance at the Blackest of the Black Fest in Silverado, California in May 2017, Ministry debuted their first song in four years, "Antifa", which, at the time, was expected to appear on AmeriKKKant.
[141] The band – alongside Primus and Philip H. Anselmo & The Illegals – opened for Slayer on the final North American leg of their farewell tour, which took place in November 2019.
[143] In January 2020, Ministry announced the "Industrial Strength Tour" would start in 2020, with drummer London May of Samhain, which would feature both KMFDM and Front Line Assembly as guests.
[150] On April 24, 2020, one month after Rieflin's passing, Ministry released their first song in two-and-a-half years, "Alert Level", which was expected to appear on the band's then-upcoming fifteenth studio album.
[157][158] In April 2023, the band played a new song live titled "Goddamn White Trash" from their then-upcoming album Hopium for the Masses, which was planned to be released on August 4.
[162] In February 2024, Jourgensen confirmed in an interview with Loudwire that Ministry intended to release one final album and then disband, declaring, "I think it's a good time to stop.
[187] AllMusic's Steve Huey states that, previous to Nine Inch Nails' rise to mainstream popularity, "Ministry did more than any other band to popularize industrial dance music, injecting large doses of punky, over-the-top aggression and roaring heavy metal guitar riffs that helped their music find favor with metal and alternative audiences outside of industrial's cult fan base."
[193][194][195] Despite Jourgensen's dislike of touring, Ministry is noted for their live performances, featuring extended versions of songs (as evidenced on In Case You Didn't Feel Like Showing Up)[196] and disturbing visual imagery.
[198] Alternative Press included Ministry in their 1996 list of 100 underground inspirations of the past 20 years, stating that they merged "metal, samples, synths, and the 100-mph sound of urban paranoia, they pretty much created industrial music as we know it.
1000 Homo DJs, a project purposed for outtakes from The Land of Rape and Honey and The Mind ... , has recorded a cover of Black Sabbath's "Supernaut", featuring Nine Inch Nails frontman and one-time Revolting Cocks touring member Trent Reznor.
PTP, a project led by Jourgensen and Barker, included the assistance from Nivek Ogre on one occasion, and Connelly on another, and notably provided the song "Show Me Your Spine" featured in Paul Verhoeven's 1987 film RoboCop.
[202] Other notable projects include Pailhead with Ian MacKaye of Minor Threat and Fugazi, Lard with former Dead Kennedys lead singer Jello Biafra, and Acid Horse with Cabaret Voltaire members Richard H. Kirk and Stephen Mallinder.
[203][11] Buck Satan and the 666 Shooters, a country project led by Jourgensen, released the sole album, Bikers Welcome Ladies Drink Free, in 2012 through 13th Planet Records.