The Minneapolis sound is a subgenre of funk rock that incorporates elements of new wave and synth-pop.

[1] The style was often heard at city clubs like First Avenue and was exemplified by Prince-affiliated acts, including the Time, Vanity 6, Apollonia 6, Sheila E., the Family, Wendy & Lisa, Brownmark, Jimmy Jam & Terry Lewis, Morris Day, and Jesse Johnson.

and by acts neither affiliated with Prince nor native to Minneapolis, such as Flint, Michigan's Ready for the World.

According to the Rolling Stone Album Guide, "the Minneapolis sound... loomed over mid-'80s R&B and pop, not to mention the next two decades' worth of electro, house, and techno.

"[2] While the Minneapolis sound incorporates many of funk's quintessential elements, it bears several distinguishing characteristics: