From the mid-1970s through the 1980s, Marc Dachy Guy Schraenen, Belgian editor and curator, also published and exhibited her works through the Archive for Small Press and Communication.

[4] In The Paris Review, critic Will Fenstermaker wrote of her works: "Dermisache’s asemic writings are theurgic: they are ritualistic marks meant to heal one’s relationship to a universal presence.

Between 1974 and 1981, she gave a cycle of public workshops named Colour and Form Conferences where she exposed her method: "How to develop creative skills by means of artistic techniques."

She had exhibited in the Proa Foundation, the Fine Arts Pavilion at the Argentine Catholic University (UCA), at the MACBA, Spain, at the Centre Pompidou where on the occasion of her recent incorporation in the collection she was part of the exhibition collection elles @ centrepompidou, and in different institutional spaces in France, like the Centre Des Livres d’Artistes and the Belfort School of Fine Arts Pavilion.

Her latest group exhibition, dedicated to the issue of illegible writing, took place in gallery P420, in Bologna, Italy, along with artists such as Leon Ferrari, Hanne Darboven, Irma Blank and Daïdamano.