Mission Raniganj: The Great Bharat Rescue is a 2023 Indian Hindi-language disaster thriller film[4] directed by Tinu Suresh Desai and produced by Pooja Entertainment.
[5][6] Based on the Raniganj Coalfields collapse of 1989 in West Bengal, the film stars Akshay Kumar and Parineeti Chopra.
Gill recruits a disgraced surveyor, Tapan Ghosh and a drilling engineer, Bindal, to scope the highest point of the mine.
Meanwhile, Sen from Coal India is sent to sabotage the mission, as the manager of Raniganj Coalfields, Ujjwal, is intensely disliked by his boss.
He proposes rescuing the miners through a closed mineshaft which had been breached by the explosion, disregarding Gill’s warning that the shaft is heavily flooded and cannot be accessed.
Through a Davy lamp, the miners discover that the shaft is being filled with carbon dioxide gas, which along with the water is creeping towards them.
To ruin this attempt, Sen has key pieces removed from the crane he brought in, preventing the miners from being speedily rescued.
Govardhan, the local MLA and union leader, attacks Sen until he admits to deliberately ruining the crane.
Gill appears to black out from lack of oxygen, but despite losing his metal hammer, uses his kaṛā to signal the capsule to be lifted.
[13] It is based on the life of Jaswant Singh Gill who rescued 65 mine workers during the Raniganj Coalfields collapse of 1989 in West Bengal.
[16][17] Akshay Kumar was cast as the mining engineer Jaswant Singh Gill an IIT Dhanbad Graduate.
"[35] Renuka Vyavahare of The Times of India gave the film 2.5 out of 5 stars and noted, "Mission Raniganj with all its potential to tap into the human psyche and behaviour when put in a life-threatening situation, misses the goal by a mile.
With a poor attempt to scratch beneath the surface, director Tinu Suresh Desai’s film is loud, over the top melodramatic, largely evoking indifference over reverence.
"[37] Shubhra Gupta of The Indian Express gave the film 1.5 out of 5 stars and wrote "the way in which the loud background music ratchets up the theatrics, and the manner in which local ‘netas’ and high officials in Calcutta try and scuttle the operation, with each person bearing the bad news running across the screen in exactly the same manner, the film comes off a tiresome plod.