Working with The Besnard Lakes' Jace Lasek, the band included reworked versions of the four songs on their 2005 EP Amoureux Cosmiques that featured "breathy vocals, saturated pop tones and melodies motorized by punk", according to The Montreal Mirror.

- PopMatters[8] "The album blends shoe-gazing guitar work, danceable bass and beats with Elizabeth's breathy singing and punk-like yelps..." - Ottawa XPress[9] "...a polished product of rock, dance floor, harmonies and melodies."

Then take that soaring, cold remoteness and weld it to the hotter, visceral twang and stomp of mid-90s indie groups..." - The Williams Record[13] "...a dazzling page in the post-punk diary, highlighted by Emily Elizabeth’s wispy, sexual screams."

[14] "...the breathy-to-shrill-voiced Emily Elizabeth does her thing over electronic swirls of guitar-pop..." - Canadian Musician[15] "Between the vacuumish vocal effects, the mechanical pumping of the rhythm and twinkling guitars, this album feels a soundtrack for romance on space station Mir—only with more screaming."

- i heart music[18] "...combines Elizabeth's distinct vocal range with a lush, layered sound to create songs spacey enough to justify the album's cover but danceable enough to keep those shoes hard to stare at."