His compositions for Sinhala cinema in the 1950s are credited by music critics as having been influential in developing a Sri Lankan style of film composition distinct from that of Indian films.
[3] At the moment, Gauss recognized Mohideen Baig and Albert Perera (later became W. D.
[4] Baig and Amaradeva went to India with Gauss Master to record songs.
Not only that, Gauss master made Amaradeva as the assistant music director of the Ashokamala, where the role assistant music director was first initiated in the current film catalog.
[5] Gauss Master introduces Latha Walpola from the film Eda Ra based on her singing ability.