The album received generally favorable reviews, with critics praising its bold production and emotional depth, though some noted its chaotic structure.

[7] In 2021, Robinson released his second studio album Nurture, a work which explores his experiences with depression and writer's block and represents a major stylistic shift in his discography, according to AllMusic's Paul Simpson.

[5] While writing Nurture, Robinson put pressure on himself to "not [get] into any kind of trouble", as he started to place more importance on his public identity and found himself restricting his expression on the album as a result.

"[9] Larisha Paul from Rolling Stone concurred, and felt that the album brings the vocal performances and lyrics to the forefront of the production, in contrast with the "atmospheric" sound of Nurture.

[12] The Skinny's Ian Macartney found chiptune influences similar to Robinson's contemporaries Anamanaguchi on the opening track "Knock Yourself Out XD".

He felt that much of his prior discography focused on personal subject matters, and instead decided to adopt a more lighthearted approach with a "spirit of play" inspired by his experiences on stage.

[9] Discussing the composition process, Robinson said he intended to create a work that was "no sincerity, all fun, [and] an album that revels in absurdity for a world that rejects context", but eventually began to write about his emotions.

[10] On February 29, 2024, Robinson uploaded a video to his YouTube channel describing the end of his career and the removal of all of his music from online streaming services.

[16][17] He seemingly confirmed his decision to a reporter that day, which Uproxx's Megan Armstrong described as an "expertly executed troll job".

[27] Robinson had organized a pop-up event at the Maison Kitsuné showroom in Los Angeles the day prior, which drew thousands of attendees.

[12] Narzra Ahmed of Clash wrote that the album was "more chaotic than cohesive, which seems intentional in order to reflect [Robinson]'s ranging emotions", calling it "some of his best work yet".

[36] However, Sputnikmusic's Jesper L. felt that the album presented its lyrical content in a fashion that was imbalanced and "too careless" with its switches between lighthearted and serious themes.