Mongol zurag

Developed in the early 20th century, zurag is characterised by the depiction of secular, nationalist themes in a traditional mineral-paint–on–cotton medium similar to Tibetan thangka.

The style was pioneered in the aftermath of the 1921 Revolution by artists such as Balduugiin Sharav, whose One Day in Mongolia remains one of the most celebrated works of Mongolian art.

Zurag paintings featuring scenes from everyday life, in both contemporary collective farm and traditional pastoral nomadic settings, became popular in the 1950s and 1960s in the wake of the success of Ürjingiin Yadamsüren's The Old Fiddler.

Historical depictions of the 1921 Revolution as well as earlier national figures were also popular, but overtly religious themes were discouraged by the state.

Recent zurag paintings have featured nationalistic scenes drawn from the Secret History of the Mongols and the life of Genghis Khan, as well overtly religious imagery inspired by pre-Buddhist shamanism.