The film centres on Frank (Vitale) and Bozo (Moyle), two friends of ambiguous sexuality living in the bohemian arts community of Montreal, Quebec.
[2] Although Frank's relationship with Johnny is platonic and non-sexual, the common stereotype of gay men as pedophiles prone to sexually preying on underage boys begins to colour the community's and Johnny's parents' judgement of the friendship, driving a wedge between them as even Frank is increasingly driven to question his own motivations.
[2] The same core group of Vitale, Lack and Moyle also collaborated on the 1978 film The Rubber Gun.
The film was rereleased on DVD in 2009, and was the subject of a critical analysis by Thomas Waugh and Jason Garrison in 2011, as part of Arsenal Pulp Press' Queer Film Classics series.
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