He read music at Pembroke College (Cambridge, UK) and then, in 1993, became a member of the BEAST (Birmingham ElectroAcoustic Sound Theatre).
He has since won more than twenty international prizes for his work, which has been performed and broadcast throughout Europe, USA, Canada, Australasia, China, and Asia.
The most notable of these have been Neurotransmission (1998), an hour-long acousmatic dance score written for Wayne McGregor and Random Dance in 1998, Still Time (2001) for the flutist Alejandro Escuer, Symbiont (2002) a multimedia collaboration with Miles Chalcraft, and nights bright daies (2003) for the Ictus piano and percussion quartet; the latter premiered in June 2004 at the Festival Agora No 7 at IRCAM (Paris, France).
Becoming more influenced by minimal electronica, oceanic glitch and microscound his work became less overtly gestural, introverted and personal.
His recent works continue this way of thinking and includes Rift Patterns (2014) released as an iBook complete with a short story by Deborah Templeton, photographs by Stephen Harvey, and videos by Jason Payne.