The orchestration is complex, calling for a large orchestra with additional piano, harp, full percussion section and virtuoso bell plate striker.
The solo part, at almost 24 minutes in length, is highly complex, spanning the bass, tenor, and treble clefs and calling for considerable extended technique.
Suddenly, there is a loud engine sound, and a white motorcycle rolls onto the stage, driven by Lindberg.
As the trombone section takes over this sound, the soloist shifts into a complicated passage of very high, and very fast notes.
This eventually subsides into the cessation of the soloist's playing, as he physically draws out the parts of the globe with his trombone slide.
This, combined with different articulations, screams and occasional harmonic changes, creates a sound resembling didgeridoo.
The soloist takes one last gasp for air and harmonizes with the orchestra on a final note that fades into silence.