Moustafa Farroukh

He travelled through Spain in the early 1930s where his appreciation of Arabic art and architecture had a long-lasting effect on his artistic touch.

Farroukh gained significant acclaim as a Lebanese national painter during a period when Lebanon was asserting its political independence.

Along with artists, Omar Onsi (1901–1969), César Gemayel (Qaisarr Jumayil) (1898–1958), Saliba Douaihy (Saliba Duwaihi) (born 1915) and Rachid Wehbi (Rachid Wahbah) (born 1917), Farroukh is regarded as a pioneer, having laid the foundations for a modern arts movement in Lebanon.

[1] In 1950, as a tribute to his work, Farroukh's name was chosen for listing in Benezit, the world's renowned collection for bibliographical art reference.

He joined the group of philosophers, thinkers, and men and women of literature who lectured in the renowned "Al Nadwa" gatherings or "Le Cénacle Libanais".

Autoportrait with the Palette , oil on canvas circa 1949
Autoportrait with a Keffiyeh , oil on plywood circa 1938