"[14] The Los Angeles Times deemed it "a delightful collection of acoustic music surging with the body-bending bikutsi rhythms of Cameroon, topped by Nyolo's crisp, melodic vocal harmonies.

"[10] The San Diego Union-Tribune wrote: "Subtle yet rhythmic, her multilayered music boasts buoyant melodies, darting talking-drum accents and intricate call-and-response vocal exchanges.

"[15] The Edmonton Journal stated: "Heavy with hand percussion, bass and click guitar lines, it's spritely, uptempo music with choppy rhythms, thicker and less obviously influenced by western pop than say, Angelique Kidjo, but entirely entrancing either way.

"[13] Rolling Stone praised the combination of "energized bikutsi dance rhythms with poetic storytelling.

"[16] The Times noted that Nyolo "creates a rich African tapestry drawing on tribal chants and ambient sounds.