Zimunya's poetry deals with the beauty of Zimbabwe, but also with its poverty and history of suffering, and with urban alienation from spiritual heritage.
While his collection Thought Tracks (1982) represents a generation that felt marginalized by colonialism, Kingfisher, Jikinya and other poems, published in the same year, is a celebration of love and nature.
Country Dawns and City Lights (1985) takes a disillusioned look at the idealization of rural life, while also confronting the difficulties faced by the urban dweller.
His work has also been published in British and Amerikan anthologies, in Kizito Muchemwas Zimbabwean Poetry in English (1978), and in the collection he co-edited with Mudereri Khadani, And Now the Poets Speak (1981).
In the afterword to the Serbian/English version of his Collected Poems in 1995, Zimunya described his poetry thus: When you read these poems, it is my cherished hope that you will gain some insight… into the brutality of colonialism, the vagaries of growing up permanently dispossessed in a racially structured society, the tortuous quest for reconciliation of a shattered old culture with a hostile and spiritless new world cultivated to disadvantage the African and… the undying quest for harmony with nature… And then also you may wonder about the chaos artistic rhythms and traditions forever tussling for my creative attention.