Modern Tuvan music usually involves ensembles of musicians playing multiple instruments, and tends to be more pulsatile than traditional forms.
Throat singing is instead made to imitate sounds produced by the places or beings in which the spirit-masters dwell.
Singers establish contact with the spirit-master by reproducing the sounds made and enter into conversation, whose aim is supplication, an expression of gratitude, or an appeal for protection.
The same imitative or mimetic interaction with the natural sound world may also be mediated through the use of traditional musical instruments.
[1] Notable Tuvan rock and fusion performers include: Saidash Mongush; Yat-Kha; Alexander Sarzhat-Ool (guitar), who spent 22 years in jail before starting the music career, and was self-taught; Alexander Chavynchak (guitar), who performed free jazz and blues, as well as khoomei; and Vladimir Oidupaa (bayan and khoomei).