Later he worked in the public program of Taller Schools and Oficio Houses, where he performed different teaching tasks, until he obtained a position as a restorer in the Archaeological Museum of the city of Melilla.

A group of his works —promoted by public or private institutions, and made from his beginnings as a sculptor, in 1985, until today— the form busts or statues of famous people born or linked to his hometown: to teaching (Juan Caro Romero, 1985), to painting (Victorio Manchón, 1994), to the letters and theatrical representation (the playwright Fernando Arrabal, 1994, the poet Miguel Fernández, 1994, and the actor and theater director Antonio César Jiménez Segura, 2007), and architecture (Enrique Nieto, 2008).

In 1997 he won the contest that the Autonomous City of Melilla had convened for the commemoration of the V Centennial of his Spanish foundation with the work Encuentros, his most monumental and popular sculpture, although not the most successful in the opinion of its creator.

The sculptor —aware that an author should not interpret his work since the composition in the art of occupying the space depends, more than in any other discipline, on the point of view— makes an exception here with limitations:Encounters means union of cultures, of continents, of people.

[5]In 2002 he developed a group of female sculptures, promoted by the Consejería de Obras Públicas of Melilla, which that year had decided to allocate one percent of the budget in culture for embellishment of the city.