MXR

The company was co-founded in 1972 by Keith Barr and Terry Sherwood[1] [2] and incorporated as MXR Innovations, Inc. in 1974.

This experience led them to form MXR and they began producing their first original effect pedal design: the Phase 90.

In 1981, MXR introduced the Commande Series, a line of plastic (Lexan polycarbonate) pedals.

The input, output and power jacks were all moved to the top of the case to allow a tighter grouping on the floor, or pedal board.

In late 1983 MXR announced a digital sound effects pedal generator simply known as the Junior.

The Junior boasted four sound effects: a laser, a clap, a snare and a high hat.

MXR also had a line of professional rackmount effects used by the likes of David Gilmour,[6] Stuart Adamson and Mike Rutherford.

Since 2006, the "M-181" product number has been re-appropriated by Jim Dunlop for the MXR Bass Blowtorch Overdrive pedal.

the frequency response of a system can be tailored to compensate for room acoustics, speaker aberrations and program material.

Horizontal control placement and the equalizer's compact case permit easy manipulation in studio mix down situation.

[12] In late 1981, MXR got the resale rights in the US to sell the KIT (M-178), a digital drum machine.

image of early MXR sales and engineering staff at NAMM Show
NAMM Show in LA
MXR dyna comp, phase 45, phase 90, distortion +, carbon copy
MXR 185 Drum Computer
MXR by Jim Dunlop