Nadrealizam danas i ovde

In 1929 the Serbian surrealists had published the almanac Nemoguće–L'Impossible and largely the same people were involved in the collaborative publication of NDIO.

[1][2] NDIO was a bilingual publication containing written and visual contributions from the Paris surrealist group.

[3] There were illustrations by international surrealists including Max Ernst, Yves Tanguy, Joan Miró, Salvador Dalí and Radojica Živanović Noe.

[5] The journal followed the trajectory outlined in André Breton's Second manifeste du surréalisme.

[1] The prominence of Dalí's work in the second and third issues bear witness to the high esteem in which he was held amongst surrealists in both Belgrade and Paris at this time.