[5][6] In addition to her artistic practice, Baghramian worked at the women’s shelter that her sister Louise co-founded.
[7] Inspired by dance classes she took as a child, Baghramian recalls her teacher speaking of the need to break down human movement into discrete elements.
[10][11] In 2017, Baghramian's exhibition, Déformation Professionnelle was on display in the Stedelijk Museum voor Actuele Kunst.
By using sculpture elements and photography in a site-responsive practice, she questions the traditional views towards the relationship between the human body's gestures and their functions.
Inspired by the portraits taken by Carlo Mollino in the 1960s, they created Entre Deux Actes (Ménage à Quatre).