This study also gave her the opportunity to work with BEAST (Birmingham ElectroAcoustic Sound Theatre) which influenced her later work, and lead on to a doctoral degree in composition supervised by Denis Smalley, awarded in 1998 at City University (London, UK).

In the same year, a grant from Norges forskningsråd (The Research Council of Norway) enabled her to work for one year as a resident composer at NoTAM (Norsk nettverk for Teknologi, Akustikk og Musikk / Norwegian network for Technology, Acoustics and Music) in Oslo (Norway).

Her work has received many awards, including the Nordic Council Music Prize for 2006,[4] the Giga-Hertz Prize, Germany (2008),[5] the first prize at Musica Nova (Prague, Czech Republic, 2001), Noroit-Léonce Petitot (Arras, France, 1998), first prizes (1998 and 2001) and finalist (2008) in the Trivium section of the Bourges International Electroacoustic Music Competition (France), Euphonie D'Or des Concours International de Musique Electroacoustique, Bourges[6][circular reference] 1992–2002, Jury and public first prizes in the 9th Prix international Noroit-Léonce Petitot, Arras, France (1998).

[8] Concurso Internacional de Música Eletroacústica de São Paulo (IV CIMESP, Brazil, 2001), Concours SCRIME (France, 2000), Festival Internacional de Nuevas Tecnologías, Arte y Comunicación Ciber@RT / Ciber@RT International Festival of New Technologies, Art and Communication (Spain, 2000), Concours Luigi Russolo (Italy, 1998, 1995), an honorary mention at Prix Ars Electronica (Linz, Austria, 1998), 9th International Rostrum for electoacoustic music (2002) and Edvardprisen (2004) Norway.

She receives commissions from institutions and performers in Europe and America, and her work is available on numerous CD labels.