After spending four years as an administrative coordinator for CEPA (Centre pour la Propagation de l’Art), she decided to devote her time to creative writing.
La liberté meurt chaque jour au bout d’une corde (2012) is a poetic introduction to an exhibition at the National Resistance Museum in Esch-sur-Alzette.
In 2014, Ronvaux published a collection of theatrical works including the play La Vérité m’appartient which presents a confrontation between two women who accuse each other of collaborating with the Nazis during the Second World War.
[3] In addition to her literary awards, in 2015 Ronvaux was named Femme de l'année (Woman of the Year) by the Luxembourg newspaper Le Jeudi.
(Χριστίνα Α. Οικονομοπούλου: Γαλλόφωνο θέατρο: Σύγχρονες θεατρικές γραφές του κόσμου σε γαλλική γλώσσα, Τόμος Ι: Ευρώπη, Αθήνα: εκδ.