[9] To decorate the house with artificial stones and perform interior artwork was handed to the Italian sculptor Emilio Sala who previously worked with Władysław Horodecki.

[9] Ledges on each side (avant-corps) with balconies and paired windows, small towers on corners, underline its symmetry and harmonious outlines.

[9] Windowsills of the second and fourth floors faced with stones of roughly polished surfaces and sculptural decorations in the forms of lion's heads.

[9] Special attention draw details of exterior design e.g., wide cornice with fragment made of majolica, solomonic columns with decorative towers, sculpture of griffins (guardians of gold mines in antique mythology).

[4] The original building that once belonged to the local Noble Assembly by the end of the nineteenth century required major expansion.

[11] In 1934, when the capital of the Ukrainian Soviet Socialist Republic was transferred from Kharkiv to Kyiv, two more floors were added to the building, in order to accommodate the larger footprint of the State Bank of the USSR.