American, Central Asian, and European nations tend towards more ornate and operatic pieces, while those in the Middle East, Oceania, Africa, and the Caribbean use a more simplistic fanfare.
"God Save the King/Queen", first performed in 1619, remains the royal anthem of the United Kingdom and the Commonwealth realms [citation needed].
Consequently, adoption of national anthems prior to the 1930s was mostly by newly formed or newly independent states, such as the First Portuguese Republic (A Portuguesa, 1911), the Kingdom of Greece ("Hymn to Liberty", 1865), the First Philippine Republic (Marcha Nacional Filipina, 1898), Lithuania (Tautiška giesmė, 1919), Weimar Germany (Deutschlandlied, 1922), Ireland (Amhrán na bhFiann, 1926) and Greater Lebanon ("Lebanese National Anthem", 1927).
"Il Canto degli Italiani" was written by Goffredo Mameli and set to music by Michele Novaro in 1847,[6] currently used as the national anthem of Italy.
However, after the Kingdom of Italy's 1861 proclamation, the republican and Jacobin connotations of "Il Canto degli Italiani" were difficult to reconcile with the new state's monarchic constitution.
The kingdom chose instead "Marcia Reale" (Royal March), the House of Savoy's official anthem, composed by order of King Charles Albert of Sardinia in 1831.
In some countries, the national anthem is played to students each day at the start and/or end of school as an exercise in patriotism, such as in Tanzania.
For instance, the national anthem of China is played before the broadcast of evening news on Hong Kong's local television stations including TVB Jade.
[13] Most of the best-known national anthems were written by little-known or unknown composers such as Claude Joseph Rouget de Lisle, composer of "La Marseillaise" and John Stafford Smith who wrote the tune for "The Anacreontic Song", which became the tune for the U.S. national anthem, "The Star-Spangled Banner".
Exceptions include Germany, whose anthem "Das Lied der Deutschen" uses a melody written by Joseph Haydn, and Austria, whose national anthem "Land der Berge, Land am Strome" is sometimes credited to Wolfgang Amadeus Mozart.
The committee charged with choosing a national anthem for the Federation of Malaya (later Malaysia) at independence decided to invite selected composers of international repute to submit compositions for consideration, including Benjamin Britten, William Walton, Gian Carlo Menotti and Zubir Said, who later composed "Majulah Singapura", the national anthem of Singapore.
The tune eventually selected was (and still is) the anthem of the constituent state of Perak, which was in turn adopted from a popular French melody titled "La Rosalie" composed by the lyricist Pierre-Jean de Béranger.
The first Asian laureate, Rabindranath Tagore, wrote the words and music of "Jana Gana Mana" and "Amar Shonar Bangla", later adopted as the national anthems of India and Bangladesh respectively.
Bjørnstjerne Bjørnson wrote the lyrics for the Norwegian national anthem "Ja, vi elsker dette landet".