Nautanki performances are operas based on a popular folk theme derived from romantic tales, mythologies, or biographies of local heroes.
Until a few decades back, there was no electricity in Indian villages, so light was provided either by big lanterns or Petromax (a device run by kerosene oil).
For instance, while Nautanki plays such as Satya-Harishchandra and Bhakt Moradhwaj are based on mythological themes, Indal Haran and Puranmal originated from folklore.
In the first half of the 20th century, contemporary sentiment against British rule and feudal landlords found expression in Nautankis such as Sultana Daku, Jallianwala Bagh, and Amar Singh Rathore.
Some popular traditional Nautankis are Syah-Posh (Pak Mohabbat), Sultana Daku, Indal Haran, Amar Singh Rathore, Bhakt Puranmal, and Harischandra-Taramati.
The participants in Sharma's productions are engineers, doctors, and other members of the Indian diaspora living in America, who are given a rare opportunity to connect with their cultural roots.
It critically examines the phenomenon of some Indian men who come to America to study or work but go back to India and get married — either because of parental pressure or to get a big dowry (cash given to the groom's family by the bride's side).
This protects the traditional operatic and artistic elements of Nautanki while effectively communicating the story and contemporary social issue to a diverse audience.