said, "It's great to have Doom back on this release, and it's even better that's he's joined forces with a young emcee in Nehru that shows a hell of a lot of promise on this project.

"[7] Sam Willis of Drowned In Sound stated, "Throughout NehruvianDoom the production is consistently on point, vocals are sharp and the shining talent of Bishop Nehru is given to us in all its glory.

"[5] Henry Mansell of XXL said, "Weighing in at a terse 32 minutes in length, spanning eight tracks plus an introduction, the album is a cohesive and methodical offering yet because of the constrained spin time, neither Bishop Nehru nor MF Doom have the space to flex their creative impulses and push the envelope in their respective spheres.

While it’s gratifying to hear the duo stick to their established formulas and not poorly attempting to conform to pop platitudes, NehruvianDoom suffers from monotonous chants (see “Coming For You”) and a simple lack of variety.

It is an album that’s experimental in almost all the right ways, filled with well-crafted, albeit ominous beats mined from obscure source material and features an impressive one two punch on the mic.

NehruvianDoom isn’t the first attempt to recreate Golden Age Hip Hop in the 21st century, but it’s an exceptionally creative take on the now-classic sound that succeeds in offering an enjoyable -- and at times quirky -- listen.