She wrote the screenplay of Fuego sagrado in 1950,[1] and the book, A Lo Largo Del Camino, in 1951.
She studied philosophy and literature before starting her career writing radio plays and then soap operas.
A pioneer in the field, her work represented some of the country's biggest hits in the 1960s.
El amor tiene cara de mujer, her greatest success, was remade in Mexico in 1971 and again with the title of Principessa in 1984.
Her work catapulted the careers of many Argentine actors, such as Rodolfo Bebán, Federico Luppi, Soledad Silveyra, Ana María Picchio, Norma Aleandro, Evangelina Salazar, Bárbara Mujica, Jorge Barreiro, Arnaldo André, Eduardo Rudy, Thelma Biral, Claudia Lapaco, Rodolfo Ranni, and others.