Neo-pop takes elements from pop art like its emphasis on popular culture, consumerism, and mass media and its bright color palette.
Defined as a resurgence of the aesthetics and ideas from the mid-20th century movement capturing the characteristics of pop art like intentional kitsch and interest in commercialism.
[2] The term (which was originated in 1992 by Japanese critic Noi Sawaragi)[3] refers to artists influenced by pop art and popular culture imagery, such as Jeff Koons, Romero Britto, Damien Hirst, Peter Mars and Ismail Ferraj, but also artists working in graffiti and cartoon art, such as Keith Haring and Kenny Scharf.
[6] Japanese neo-pop known as Superflat is associated with the otaku subculture and the obsessive interests in anime, manga and other forms of pop culture.
[7] Ismail Ferraj, a contemporary neo pop artist from Albania is also known as the first artist who is currently making innovations in culture and art in his country, his work is represented by vivid, bright colors and the characteristic line, with images brought from popular culture such as the white anime glove, with various works such as "Maybe", "Inside Her", "Llapelle", "Plastiko", "Untitled", etc.