MF DNES critic Mirka Spáčilová called the series, judging by the first episode, "the biggest disappointment of the autumn season".

She criticized it as a poorly handled period satire, with shallow humor and "stilted, contrived, unnatural" acting, albeit with lighter moments.

[7] According to TV screenwriter Jan Žáček, who evaluated the series based on the watched episode 7 and, like Spáčilová, compared it to the unattainable film model How to Drown Dr. Mracek, the Lawyer (1974), a satire on contemporary Czech conditions as well as humor, remained "invisible because it is toothless and unaddressed".

[8] On the contrary, Eva Zajíčková from Právo highlighted the efforts of the creators and Czech Television to "ventilate the domestic atmosphere, which has been dominated by stale relationship series and popular jokes for years, with smarter humor".

In her opinion, the Invisibles were "funnier than any television competition at the moment", although she acknowledged that the series "would have benefited from a stronger dramaturgical intervention" and the debut screenwriter and director Radek Bajgar was helped by "support in excellent actors".