New materials in 20th-century art

[1] New formulations for traditional materials especially the commercial availability of acrylic paint have become widely used, introducing initial issues over their stability and longevity.

[2] Pablo Picasso, Georges Braque, Kurt Schwitters, Joseph Cornell and others incorporated paper collage and mixed drawing (materials) with paint to fashion their work.

In the 1950s Robert Rauschenberg included 3-D elements like tires and stuffed animals as well as using discarded materials like crushed or flattened cardboard boxes.

In the 1960s Pop artists Andy Warhol, Claes Oldenburg, Tom Wesselmann and Roy Lichtenstein made art from commercial products, or art that resembled commercial products like television sets, soup cans, brillo boxes, comic books, household furniture and restaurant items among other things.

Henri Matisse and other young artists revolutionized the Paris art world with "wild", multi-colored, expressive, paintings that the critics called Fauvism.

Henri Rousseau, Pablo Picasso, Giorgio de Chirico, Amedeo Modigliani, Marc Chagall, Robert Delaunay and scores of young artists in Paris made their first modern paintings venturing toward abstraction and other new ways of formulating figurative, still-life and landscape imagery.

During the first decade of the 20th century modern art developed simultaneously in several different areas in Europe (France, England, Scandinavia, Russia, Germany, Italy), and in the United States.

Pablo Picasso, Georges Braque, Juan Gris and other cubist artists introduced new elements and materials like newspaper clippings, fabric, and sheet music into their paintings.

Synthetic cubism is characterized by works with different textures, surfaces, collage elements, papier collé and a large variety of subject matter.

Applying shock tactics and anarchy to art the Dadaists pioneered the use of new artistic techniques such as collage, photomontage readymades and the use of found objects.

They included photographs, panes of glass, picture frames, eyeglasses, boxes, newspapers, magazines, ticket stubs, metal pipes, bulbs, bottle racks, urinals, bicycle wheels and other objects.

Andy Warhol , Campbell's Tomato Juice Box , 1964, Synthetic polymer paint and silkscreen ink on wood, 10×19×9.5 in (250×480×240 mm), Museum of Modern Art , New York City
Pablo Picasso , Compotier avec fruits, violon et verre, 1912
Le Saut dans le Vide (Leap into the Void); photomontage by Shunk-Kender of a performance by Yves Klein at Rue Gentil-Bernard, Fontenay-aux-Roses, October 1960.