His book Other Edens (1994) focused on environmental concerns and, although it was conceived and worked on at the same time as Living Room, was seen as a major departure in style and content.
Waplington's work was included in the touring exhibition, The Dead, curated by Val Williams and Greg Hobson, which opened at the National Museum of Photography, Film & Television in 1995.
[14] Other bodies of his work include Safety in Numbers (1997), a bleak study of the ecstasy drug culture in the mid-1990s; The Indecisive Memento, a global road trip where the journey itself was the artwork (1999);[15] Truth or Consequences (2001), a pictorial game based on the history of photography using the town of Truth or Consequences, New Mexico as a backdrop, inspired by the rules of the 1950s television show; and You Love Life (2005), in which he uses pictures taken over a 20-year period to construct an autobiographical narrative.
Learn How to Die the Easy Way (2002), Waplington's contribution to a group exhibition in part of the Venice Biennale 2001,[5] expressed a yearning for the artistic and commercial freedom that the web might yet expose and a celebration of the dislocated reason behind conventional thoughts and media.
[22] Waplington participated in the photography collective This Place, founded by Frédéric Brenner,[23] contributing the book Settlement (2014), a study of Jewish settlers living in the West Bank, portrait and landscape photographs taken with a large format camera.