The pair took a distinctive approach to psychoanalytic theory, holding that the use of preset notions (castration, desire for the mother, etc.)
[2] Together with Török 'he introduced several key concepts of contemporary psychoanalysis: the family secret, transmitted from one generation to the next (theory of the phantom), the impossibility of mourning following the emergence of shameful libidinal impulses in the bereaved before or after the death of someone (mourning disorder), secret identification with another (incorporation), the burial of an inadmissible experience (crypt)'.
[3] Especially noteworthy has been 'the work of Nicolas Abraham and Mária Török on the intergenerational transmission of the phantom'[4] created by trauma.
[5] Arguably at least 'the "phantom" represents a radical reorientation of Freudian and post-Freudian theories of psychopathology, since here symptoms do not spring from the individual's own life experiences but from someone else's psychic conflicts, traumas, or secrets'.
[8] The two ideas are interwoven in 'their concept of "cryptonomy", a reconfiguration of the Freudian unconscious as a psychic "crypt", a kind of tomb or vault harboring the not fully confronted "phantoms" (fantomes) or secrets from the analysand's earlier history'.
[9] The crypt thus formed part of an ever-deepening set of defence mechanisms: 'Beneath the fetish, the occult love for a word-object remains concealed, beneath this love, the taboo-forming memory of a catastrophe, and finally beneath the catastrophe, the perennial memory of a hoarded pleasure'.