[3][4][5] Distinguished at the Talents Cannes [fr][1][6] in 2002, Rigas plays with Alexandra Lamy in Au suivant!
[8] In 2009, on the occasion of years of the Théâtre du petit monde,[9] he directed Le Misanthrope ou l'Atrabilaire amoureux with Delphine Depardieu.
[10] Strengthened by this success and recognized for giving "modernity to the Classics",[11][1] he set up Le Malade imaginaire at the Grandes Écuries du Château de Versailles [fr][12][13][14] from where he will make all his new creations: The Barber of Seville (adaptation of Beaumarchais by Rossini)[15][16] Les Précieuses ridicules[17][11] and L'École des femmes by Molière associated with Offenbach's the Tales of Hoffmann.
He is Haly in L'italiana in Algeri at the Théâtre des Champs-Élysées with Marie-Nicole Lemieux under the direction of Roger Norrington[23] of which the musicology website says: Nicolas Rigas's excellent Haly - a very beautiful bass baritone voice well conducted - composes a character of a falsely obsessive and amusingly funny butler.
[33][34][35][36][37][38] and created with Martin Loizillon [fr] and female singer friends, a humorous clip on the circumflex that will make the "buzz" on the Internet and in newspapers, in response to the recommended spelling reform.