[9] The New York Times called Nightflight one of the best blues albums of 1984, writing that Robinson's "guitar style has evolved from the aggressive, sharp attack of his 1950's Duke recordings to an understated, brooding, behind-the-beat approach, as if trying to push the pulse of the music.

"[12] Robert Christgau, in a roundabout way, praised Robinson's guitar playing while being less enthusiastic about his vocal style.

"[7] The Lansing State Journal determined that the album "sounds like the work of other big-bodied hollow-body-guitar players.

"[14] The Morning Call opined that Robinson's "mellifluous voice melts easily with his controlled lead guitar work.

"[8] The Los Angeles Times labeled Nightflight "a satisfying collection of sophisticated modern blues.