Nine Worthies

The Nine Worthies are nine historical, scriptural, and legendary men of distinction who personify the ideals of chivalry established in the Middle Ages, whose lives were deemed a valuable study for aspirants to chivalric status.

The Nine Worthies include three pagans (Hector, Alexander the Great, and Julius Caesar), three Jews (Joshua, David, and Judas Maccabeus), and three Christians (King Arthur, Charlemagne, and Godfrey of Bouillon).

Literature and suites of tapestry featured the full complement of eighteen, whose allegorical figures preceded King Henry VI of England in his triumphal royal entry to Paris, 1431.

[3] A "tenth worthy"[4] was added by Deschamps, in the figure of Bertrand du Guesclin, the Breton knight to whom France owed recovery from the battles of Crécy (1346) and Poitiers (1356).

[8] The Cloisters, in New York City, has important portions of an early 15th-century tapestry series illustrating the surviving five of the Nine Worthies: King Arthur, Joshua, David, Hector, and Julius Caesar.

In addition to the usual males, his prints showed the Pagan Lucretia, Veturia and Virginia, the Jewish Esther, Judith and Yael, and the Christian Saints Helena, Bridget of Sweden and Elizabeth of Hungary.

The "Power of Women" and female violence was an interest of German artists at the time, and Lucas van Leyden, Albrecht Altdorfer and others made prints of Jael in the act.

The book is subtitled Explaining the Honourable Excise of Armes, the Vertues of the Valiant, and the Memorable Attempts of Magnanimous Minds; Pleasaunt for Gentlemen, not unseemly for Magistrates, and most profitable for Prentises, celebrated the rise of nine famous Londoners through society from the ranks of apprentices or commoners.

The term "Nine Worthies" was later used to refer to nine of the privy councillors of William III: Devonshire, Dorset, Monmouth, Edward Russell, Carmarthen, Pembroke, Nottingham, Marlborough, and Lowther.

The 14th-century carving "Nine Good Heroes" (known as " Neun Gute Helden " in the original German) at City Hall in Cologne, Germany , is the earliest known representation of the Nine Worthies. From left to right are the three Christians: Charlemagne bearing an eagle upon his shield, King Arthur displaying three crowns, and Godfrey of Bouillon with a dog lying before him; then the three pagans: Julius Caesar, Hector, and Alexander the Great bearing a griffon upon his shield; and finally the three Jews: David holding a sceptre, Joshua, and Judah Maccabee.
Statues of the Nine Worthies on the Schöne Brunnen (beautiful fountain) in Nuremberg (1385–1396). Visible on the fountain, from left to right are: Judah Maccabee, David (with harp), Julius Caesar, Alexander. The figure in the left foreground, St Mark , with his lion, is part of another group
David, in Livro do Armeiro-Mor (fl 1 v ), a Portuguese armorial from 1509. The book opens with ten full-page illustrations of the Nine Worthies and Bertrand du Guesclin.
Lucas van Leyden 's depiction of the three Old Testament kings as exotic contemporaries, in an engraving of c. 1520 depicting the Worthies in three sections
The Three Good Pagans : Hector , Alexander the Great, Julius Caesar, from the woodcut series by Hans Burgkmair , 1519.
Nine Worthies ( Alcalá de Henares , 1585).
Penthesilea as one of the Lady Worthies