[8] "Zydeco Shoes and California Blues", on which C. J. Chenier performed, references Webster's early work backing Louisiana musicians.

[9] "It's Mighty Hard" incorporates elements of gospel music; "Mama Cat Cuttin' No Slack" is a boogie-woogie number.

[10][11] The Calgary Herald called the album "a strut through downtown Saturday night when the fur is threatening to fly in all the juke joints and mellow is better left to the jazz crowd.

"[5] The Edmonton Journal determined that it shows "Webster's strength as an independent woman who takes macho blues cliches and inverts them on their head.

[19] AllMusic wrote that, "although she also contributes some atmospheric chordal organ, it is Katie Webster's piano playing that gives her music its most distinctive personality.