The album's music consisted almost entirely of synthesizers, reverting to the group's previous sound.

It is considered an "underground" album,[2] a rarity that was not released to any record stores.

In 2011, however, Stefan released the album commercially on several platforms for digital streaming and download.

[4][a] AllMusic's David Jeffries noted the return of the band's iconic graphic symbol and synthesizer sound, in a negative review that contrasted "the wry songwriting and catchy melodies of the early days" with unsatisfying "juvenile instrumental backing" and "insipid melodies" on the new album.

[1] The review criticized the album's social commentary as excessive, "simplistic and filled with clichés," and added, "It's hard not to cringe when main man Ivan Doroschuk delivers such sophomoric lyrics so sternly.