In all, the collection extends over four floors, each with two wings, and with various tracts that are thematically dedicated to different way of approaching nothing: The museum also provides background information in German, Spanish and English about all the works and artists.
[9] The tour ended in October 2015 with an exhibition and presentation of nothing in Venice where the No Show Museum was invited by Pro Helvetia's Salon Suisse as an official participant of the 56th Art Biennale.
[10] In the summer of 2016, the mobile museum was shipped from Europe to America with the mission to spread nothing in the New World: The 80-day exhibition tour led from New York to Canada, then to the West Coast of the U.S., and finally down to Baja California Sur, Mexico.
[11] The third stage took place from November 2017 to January 2018 and led from Baja California in Mexico through the countries of Central America (Guatemala, El Salvador, Honduras, Nicaragua, Costa Rica, Panama) to Colombia, with numerous exhibitions in public space and in collaboration with museums and local galleries.
[12] The fourth stage took place in October and November 2018 with exhibitions in France, Spain and Portugal, including a show at Museum of Art, Architecture and Technology in Lisbon.
[15] Every attempt to describe, represent or materialize nothing is doomed to fail, and it is this very fact that has inspired many artists of the 20th century to work intensively with nothing and the paradoxes of its (re)presentation.
[16] Already in 1913, Marcel Duchamp demonstrated with his first ready-mades how any object can be converted into art by removing it from the sphere of ordinary life and placing it in a gallery or museum.