"Shelter" (concrete, steel, glass, Plexiglas and sea-shells) was set on fire in an act of sabotage years later at his solo exhibition "Magic as Existential Need" in Tel Aviv; only the steel frame and the concrete pedestals survived.
He analyzes manipulative mechanisms that influence and control the human psyche, translating them in simplified form into rooms.
Some examples are artificial wombs, purring machines, compulsive hats, labyrinths and enormous cocoons.
On 21 October 2010, Braslavsky unveiled a life-sized sculpture of former Prime Minister of Israel, Ariel Sharon, who was in a persistent vegetative state after suffering a stroke in 2006, in a hospital bed with an IV drip at the Kishon Gallery in Tel Aviv.
Will it be perceived as a piñata or a voodoo doll, or will it create a safe (aesthetic) space where viewers can transcend clichéd, extremist political discourse and use art as a medium to consider the man himself as he lies on what is almost certainly his death bed?”[2] In 2003 Braslavsky founded GdK (Galerie der Künste) in Berlin, shortly thereafter establishing the eponymous art association together with his wife Emma Braslavsky.