Noravank

The monastery is best known for its two-storey Surb Astvatsatsin (Holy Mother of God) Church, which grants access to the second floor by way of a narrow stone-made staircase jutting out from the face of building.

In the 13th–14th centuries the monastery became a residence of Syunik's bishops and, consequently, a major religious and, later, cultural center of Armenia closely connected with many of the local seats of learning, especially with Gladzor's famed university and library.

The architect Siranes and the miniature painter and sculptor Momik worked here in the latter part of the thirteenth and early fourteenth century.

Burtelashen is a highly artistic monument reminiscent of the tower-like burial structures of the first years of Christianity in Armenia.

The original three-tier composition of the building is based on the increasing height of the tiers and the combination of the heavy bottom with the divided middle and the semi-open top.

Employed as decorative elements are columns, small arches, profiled braces forming crosses of various shapes, medallions, interlaced banding around windows and doors.

An important role in its decoration is played by the cantilevered stairs that lead to the upper level, with profiled butts to the steps.

The doorways are framed with broad rectangular plaitbands, with ledges in the upper part, with columns, fillets and strips of various, mostly geometrical, fine and intricate patterns.

Between the outer plathand and the arched framing of the openings there are representations of doves and sirens with women's crowned heads.

The picture consisted of relief figures of the Holy Virgin with the Child, sitting on a throne, and two standing men in rich attire, one of them holding a model of the temple.

Forming the western antechamber is an impressive gavit of 1261, decorated with splendid khachkars and with a series of inscribed gravestones in the floor.

A broad protruding girth over the half-columns, the deep niches with khachkars and the low tent-like ceiling almost devoid of decoration give the dimly lit interior a gloomy look.

Framed in two rows of trefoils and an inscription, the semi-circular tympanum of the door is filled with an ornament and with a representation of the Holy Virgin seated on a rug with the Child and flanked by two saints.

The pointed tympanum of the twin window over the door is decorated with a unique relief representation of the large-headed and bearded God the Father with large almond shaped eyes blessing the Crucifix with his right hand and holding in his left hand the head of John the Baptist, with a dove — the Holy Spirit — above it.

The entrance with an arched tympanum is decorated with columns, and the altar apse is flanked with khachkars and representations of doves in relief.

Standing out against the carved background are a large cross over a shield-shaped rosette and salient eight-pointed stars vertically arranged on its sides.

The top of the khachkar shows a Deesis scene framed in cinquefoil arches symbolizing a pergola as suggested by the background ornament of flowers, fruit and vine leaves.

[4] A wide variety of animals and plants can be found here, such as the Bezoar Goat, Bearded Vulture, Alexanor butterfly, and others.

It is so called Gospel of Etchmiadzin that contains some miniated pages of an earlier date which are some of the oldest and most famous examples of Armenian miniature art.

According to the historian Stepanos Orbelian, this bishop had founded a church and connected buildings; there is not trace of this complex left today.

Hs is to obtain the Valley of Agarak and fortress of Anapat as donation to the monastery from Mongol Sultan Yelkduz, along with exception from taxes on church property.

1221 - Bishop Sargis, grandson of Archbishop Stepanos, builds the Church of St. Karapet as the burial chapel for the family.

1273-1290 - Bishop Sargis builds a hospice close to the monastery and donates various goods to it: the proceeds are used to provide pilgrims with food and drink.

1292 - The architect-scribe Momik transcribes a beautiful Gospel for the brothers Hovhannes and Tadeos Princess Mina Khatun, daughter of King Djala of the Aghuank and wife of Tarsaich, donates many goods to the monastery.

1299 - In the monastery of Noravank, metropolitan and historian Stepanos Orbelian finishes his great work entitled History of the Province of Syunik (Patmut'yun Nahangin Sisakan).

Stepanos Orbelian finishes his poem "Lament on Behalf of the Cathedral" ("Voghb i dimats surb Katoghikeyin").

1308 - Tamta Khatun, mother of Prince Burtel, erects a beautiful khachkar made by the architect Momik.

A student of chief vardapet Esayi Nshetsi of University of Gladzor, he is to build the Zorats church in the region of Yeghegis.

1331-1339 - Prince Burtel, as is mentioned in the inscription on the west entrance, builds the Church of St. Astvatsatsin, the so-called "Burtelashen", in the monastery.

1345 - Gontse, daughter of Paron Khosrovik, donates Khangah orchard to the monastery for salvation of the soul of Amad.

Plan of Noravank
Façade of Surb Astvatsatsin Church
Approach to the monastery
The back of the Astvatsatsin church
Surb Astvatsatsin Church of Noravank
A detail of the Astvatsatsin church
Surb Karapet (St. John the Baptist) Church
The façade of Surb Karapet Church with a depiction of God the Father (upper relief)
Grave of Elikum III Orbelian, son of Prince Tarsaich Orbelian
Noravank horseman hunting a lion, late 13th to early 14th century